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Advocacy Group Asserts to Have Extracted Millions of Audio Files from Spotify

An activist organization has claimed to have scraped a vast number of tracks from the popular streaming service and is preparing to publish them online.

Possible Impetus for Artificial Intelligence Development

Industry experts said the apparent data breach could aid AI companies looking for data to develop their technology.

An entity known as Anna’s Archive reported it had obtained 86 million music files from the platform and 256 million entries of associated data such as performer and record names. Spotify, which hosts more than 100 million songs, confirmed that the leak did not represent its entire inventory.

“We have located and disabled the nefarious user accounts that were involved in unlawful scraping,” said a Spotify spokesperson.

The Stockholm-based service, which has more than 700 million subscribers worldwide, further explained that an investigation into unauthorised access found a third party scraped public metadata and used questionable tactics to bypass DRM protections.

Group's Declared Mission and Worries

The streaming service does not think the music acquired by Anna’s Archive has been made public yet. Anna’s Archive, which is known for offering links to copyright-infringing books, said in a blog it wanted to create a ‘preservation archive’ for music.

The group claimed the audio files accounted for 99.6% of all music listened to by Spotify users and would be distributed via ‘peer-to-peer networks’, a method of sharing large digital files online.

“Of course Spotify doesn’t have all the music in the world, but it’s a fantastic beginning,” said Anna’s Archive, which describes its purpose as “preserving humanity’s knowledge and heritage”.

Model Development and Intellectual Property Battleground

A composer and campaigner for protecting artists’ copyright, remarked the leaked music would likely be used for developing artificial intelligence systems.

“Training on illegally sourced material is unfortunately common in the tech sector, so this accessed music is highly likely to be used instructing AI models,” he stated.

The group's website alludes to LibGen, a vast online repository of copyrighted books that has reportedly been used by the parent company of Facebook to train its systems.

The co-founder of an AI startup posted on LinkedIn that individuals of the public could in theory “create their own private free equivalent of Spotify”. He added it could also allow tech companies to “train on modern music at a large volume”.

Copyright has emerged as a battleground between creatives, writers and creatives on one side and AI companies on the other.

Policy Considerations and Reactions

In the UK, artists and writers have protested against a government proposal to let AI companies utilize protected work without consent unless the rights holder signals. Virtually every participant to a government consultation on the proposal has supported artists’ concerns.

A government minister for science, innovation and development informed parliament this month there was “no clear consensus” on the issue, noting that ministers would “use the time to get this correct”. The administration has pledged to make regulatory plans on AI and copyright by March 2025.

The writer

Brian Hall

Liam Voss is a seasoned gaming journalist and hardware enthusiast who enjoys dissecting the latest tech to help gamers make informed choices.

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